{"id":22,"date":"2016-03-18T19:11:01","date_gmt":"2016-03-18T19:11:01","guid":{"rendered":"http:\/\/blogs.rollins.edu\/drama\/?page_id=22"},"modified":"2023-04-15T20:54:10","modified_gmt":"2023-04-15T20:54:10","slug":"text-and-presentation","status":"publish","type":"page","link":"https:\/\/blogs.rollins.edu\/drama\/text-and-presentation\/","title":{"rendered":"Text and Presentation"},"content":{"rendered":"

Text & Presentation<\/em><\/span><\/h1>\n
<\/div>\n

From 1980 – 2021, The Comparative Drama Conference Series has been publishing the best papers presented at its annual meetings, keeping readers current in scholarship and performance aesthetics in drama internationally. Text & Presentation<\/em>\u2019s articles have framed dramatic discourse, identified emerging trends, and challenged established views. Each volume consists of about a dozen articles which have passed the mandated anonymous peer review. For back issues, visit\u00a0www.McFarlandpub.com<\/a>.<\/p>\n

The 45th Comparative Drama Conference marks a new change for publishing the best papers from the conference.\u00a0 Going forward from 2023, the conference will be partnering with the journal Comparative Drama<\/a>\u00a0<\/em>to publish the best papers from the conference (as well as book and performance reviews) in a special double issue every year.<\/p>\n

Please visit the\u00a0Comparative Drama<\/em> menu item for more details.<\/p>\n

Participants in the conference are invited to submit their papers for publication consideration to the editor of Text & Presentation<\/em>. The editor of this year’s publication, Dr. Amy Muse, can be reached at ammuse@stthomas.edu<\/a>. Manuscripts should be formatted according to the T & P<\/em> style. Authors are expected to expand their manuscripts beyond presentation-length conference papers into full-length scholarly essays, with a maximum length of 25 double-spaced pages (including notes, works cited, and photos). Each volume also features several book reviews by noted scholars.<\/p>\n

Visit:\u00a0TP Style Guidelines 2021<\/a><\/p>\n

Any questions regarding paper submissions should be sent to the Editor at Amy Muse: ammuse@stthomas.edu<\/a>.<\/p>\n

Text and Presentation, 2019<\/em><\/p>\n

Acknowledgments \u2002vii<\/p>\n

Preface \u20021<\/p>\n

A Conversation with Branden Jacobs-Jenkins (Baron Kelly) \u20025<\/p>\n

A Raisin in the Sun at 60: A Conversation (Teresa Gilliams, Nathaniel G. Nesmith, Janna Segal, Baron Kelly and Branden Jacobs-Jenkins) \u200227<\/p>\n

Radical Resurrections: A Performance History of John Brown\u2019s
\nBody (Victoria Lynn Scrimer) \u200249<\/p>\n

Deep When: A Basic Design Philosophy for Addressing Holidays
\nin Historical Dramas (Michael Schweikardt) \u200263<\/p>\n

Uncanniness and Alienation in Lisa D\u2019Amour\u2019s Detroit and
\nAirline Highway (M. Scott Phillips)\u200278<\/p>\n

Precious Resources: Cultural Archiving in the Post-Apocalyptic
\nWorlds of Mr. Burns and Station Eleven (Paul D. Reich) \u200296<\/p>\n

Past the Lyrical: Mythographic Metatheatre in Marina Carr\u2019s
\nPhaedra Backwards (Phillip Zapkin) \u2002113<\/p>\n

Infidelity, Adaptation, and Textuality: Directing Late Medieval
\nand Early Modern French Farce (Scott D. Taylor) \u2002130<\/p>\n

Rectories Meet \u201cOne-Hour\u201d Rooms: Williams on Summery and
\nEccentric Loves (Jeffrey B. Loomis) \u2002148<\/p>\n

A Portrait of the Krapp as a Young[er] Man: Michael Laurence\u2019s
\nKrapp, 39 \u2002\u2002(William Hutchings) \u2002161<\/p>\n

Waiting for Rothko (Doug Phillips) \u2002174<\/p>\n

Review of Literature: Selected Books<\/p>\n

Simon Critchley, Tragedy, the Greeks, and Us (Doug Phillips) \u2002189<\/p>\n

Trevor Boffone, Teresa Marrero and Chantal Rodriguez, eds.<\/p>\n

Encuentro: Latinx Performance for the New American Theater
\n(Osvaldo Sandoval-Leon) \u2002193<\/p>\n

Lopamudra Basu. Ayad Akhtar, the American Nation, and Its Others
\nAfter 9\/11: Homeland Insecurity (Mahwash Shoaib) \u2002197<\/p>\n

Max Shulman and J. Chris Westgate, eds. Performing the Progressive
\nEra: Immigration, Urban Life, and Nationalism on Stage (Patrick Midgley) \u2002200<\/p>\n

Selby Wynn Schwartz. The Bodies of Others: Drag Dances and Their
\nAfterlives (Alicia M. Goodman) \u2002204<\/p>\n

David Palmer, ed. Visions of Tragedy in Modern American Drama \u2002(Melissa Rynn Porterfield) \u2002207<\/p>\n

Index \u2002211<\/p>\n

Like the Comparative Drama Conference on Facebook and keep up with conference and theater news.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Text & Presentation From 1980 – 2021, The Comparative Drama Conference Series has been publishing the best papers presented at its annual meetings, keeping readers current in scholarship and performance aesthetics in drama internationally. Text & Presentation\u2019s articles have framed dramatic discourse, identified emerging trends, and challenged established views. Each volume consists of about a … <\/p>\n

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