{"id":1075,"date":"2021-05-06T14:42:24","date_gmt":"2021-05-06T14:42:24","guid":{"rendered":"http:\/\/blogs.rollins.edu\/cfam\/?p=1075"},"modified":"2021-05-06T15:14:58","modified_gmt":"2021-05-06T15:14:58","slug":"so-long-but-not-goodbye","status":"publish","type":"post","link":"https:\/\/blogs.rollins.edu\/rma\/2021\/05\/06\/so-long-but-not-goodbye\/","title":{"rendered":"So Long, But Not Goodbye"},"content":{"rendered":"\n

The very first post<\/a> in this series went live on April 1, 2020, amidst the first waves of shutdowns (including of CFAM) due to the COVID-19 pandemic. Since then, a great deal has changed, both at the museum and in the wider world. As I wrote that first entry, I was unsure if I\u2019d even get to finish the project. In part that fear was for practical reasons\u2014the library at Virginia Tech, which I have relied on for so much of my research materials over the last year and a half, also shut down last spring. But it was also more existential than that, since none of us really knew what was to come. This blog was in part a response to that uncertainty. Sharing my research with the museum\u2019s audience was always a part of the plan, but it seemed to take on new urgency as the world shut down. Plus, it was something I could do from home, using research I\u2019d already completed. That\u2019s why the first entries are so focused on eighteenth and nineteenth century art; it\u2019s what I had available to work on. As the world (and its libraries) opened back up, so did my research, and you can track that process in the blog. And now, over a year after I first started writing it, I\u2019m coming to the end of my research project.<\/p>\n\n\n\n

When this goes live, I\u2019ll be fully vaccinated against COVID-19, which seems like a miracle given how recently the disease emerged. The pandemic isn\u2019t over, of course, but at the same time the broad availability of the vaccines gives me hope for the future. That excitement, however, is tinged with a bittersweet feeling. That\u2019s because my term as the American Art Research Fellow is coming to an end. Aside from a few odds and ends here and there, I am finished with my part of the Luce Foundation<\/a>-funded project. I have researched over two hundred artists, and several times that many individual works of art, over the last year and a half. All that\u2019s left is a series of reports, summaries, and other wrap-ups. This is important work, and I\u2019m excited to do it, but it\u2019s also not exactly the stuff of an interesting blog post. For that reason, I\u2019ve decided that this is a good time to wrap up this series.<\/p>\n\n\n\n

One of the absolutely wonderful things about museum work is how public facing it is, and these posts have allowed me to maintain that connection to all of you, our friends and members, despite everything that\u2019s happened this year. I hope you\u2019ve enjoyed reading them as much as I\u2019ve enjoyed writing them. Though this series is ending, there are a few more opportunities for you to hear from me over the next year or so. On June 8 I\u2019ll be giving a talk<\/a> via the museum\u2019s Facebook Live feed, sharing the fruits of my research. You might recognize some of the insights I\u2019ve shared with you here, woven into a broader story of the collection. Later this year, on September 18, my exhibition American Modernisms at the Cornell Fine Arts Museum<\/a> will open. It will examine the American modern artists who have been such a key part of this blog as well as my broader research, highlighting the ways in which our collection here at CFAM can participate in some of the most important debates and currents in the story of American art as it\u2019s understood today. There will be additional lectures and other events associated with that, so stay tuned.<\/p>\n\n\n\n

\"Rockwell
Rockwell Kent, (American, 1882-1971), Goodbye Day<\/em>, 1946-1947, Lithograph on wove paper,
16 in. x 12 in., Gift of Mrs. Ruth Funk, 2001.4.8. \u00a9 Estate of Rockwell Kent, Plattsburgh State Art Museum<\/figcaption><\/figure>\n\n\n\n

Because it wouldn\u2019t feel right to end this blog post without talking about an image (what kind of art historian would I be if I could even try?), I\u2019d like to leave you with this work, Goodbye Day<\/em> by the American painter and illustrator Rockwell Kent. Kent is perhaps best remembered today for illustrating a 1930 version of Herman Melville\u2019s Moby-Dick, or The Whale 1<\/sup><\/em>. Goodbye Day<\/em>, from sixteen years later, is another wonderful example of Kent\u2019s mastery of the contrast between light and dark. Executed in collaboration with the renowned lithographer George Miller, Kent seems to have preferred the title The Water Carrier<\/em>, which makes sense given his leftist politics and the stoic weariness that characterizes the print\u2019s lone woman.2<\/sup> The setting is bleak\u2014a bare mountain and hard ground\u2014and the harsh light of sunset bathes the woman\u2019s equally harsh features. She leans wearily on the jamb of a simple wooden door, about to disappear with her burden into forbidding darkness. Yet there is also a sense of hope, or at least of solid resilience, in the square set of her muscular legs and broad shoulders. It\u2019s an evocative, mysterious image, one which leaves open the possibilities of strength and defiance even as it acknowledges pain and toil. It\u2019s also a key part of the story of American modernism, and I hope you\u2019ll come see it as part of American Modernisms at the Cornell Fine Arts Museum.<\/p>\n\n\n\n

\n\n\n\n

1<\/sup> If you haven\u2019t read the book but have always meant to, make sure it\u2019s that version you pick up when you do. Kent\u2019s angular, modern renderings add so much to what is already, by my reckoning, the greatest novel in the history of American literature.<\/p>\n\n\n\n

2<\/sup> Dan Burne Jones, Rockwell Kent, and Robert Rightmire, The Prints of Rockwell Kent: A Catalogue Raisonn\u00e9<\/em>, Rev. ed (San Francisco, Calif: Alan Wofsy Fine Arts, 2002), 276.<\/p>\n","protected":false},"excerpt":{"rendered":"

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