{"id":1195,"date":"2022-03-07T08:00:00","date_gmt":"2022-03-07T08:00:00","guid":{"rendered":"https:\/\/blogs.rollins.edu\/rma\/?p=1195"},"modified":"2025-09-09T18:09:36","modified_gmt":"2025-09-09T18:09:36","slug":"carmen-herrera-untitled","status":"publish","type":"post","link":"https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/","title":{"rendered":"Work of the Week: Carmen Herrera, \u201cUntitled\u201d"},"content":{"rendered":"\n<p class=\"has-small-font-size\"><meta charset=\"utf-8\"><\/meta>Carmen Herrera (Cuban, 1915-2022),<em>\u00a0Untitled,\u00a0<\/em>2013,\u00a0Acrylic on canvas,\u00a072 3\/64 x 36 7\/32 in.\u00a0The Alfond Collection of Contemporary Art, Rollins Museum of Art, Gift of Barbara &#8217;68 and Theodore &#8217;68 Alfond, 2014.1.32. \u00a9 Carmen Herrera. Image courtesy of the artist and Lisson Gallery, London, 2014.1.32<\/p>\n\n\n\n<p class=\"has-drop-cap\">This week we celebrate the life and work of a remarkable artist whose creative output is a testament to her rigorous dedication. Carmen Herrera, who recently passed away, was born in Havana, Cuba. At the age of 106, she continued to work in her New York studio almost every day. Herrera\u2019s geometric abstract style is characterized by solid colors, straight lines, and a simplicity of form that eschews narrative and symbolism. <\/p>\n\n\n\n<p>She studied art and architecture in Cuba, developing at an early age a fascination with the straight line: \u201cThere is nothing that I love more than to make a straight line. How can I explain it? It\u2019s the beginning of all structures, really.\u201d She approached art-making from that perspective, focusing on structure and its component parts. In 1939, the artist moved to New York and later to Paris, where she found a new community of artists with the international group Salon des R\u00e9alit\u00e9 Nouvelles. Upon her return to New York in 1954, Herrera encountered an art world still dominated by the Abstract Expressionist male artists and the critics and galleries who championed them. <\/p>\n\n\n\n<p>Her steady, disciplined practice continued for almost seventy years, developing an emblematic visual language that elevated line, color, and form over meaning. In her work, the canvas becomes an object that reflects the composition painted on it as well as the space surrounding it; there is an almost architectural approach to the juxtaposition of shapes that convey great dynamism and stability simultaneously. Being a geometric abstractionist female painter from the Caribbean in the 1950s in New York was a challenge for Herrera, who throughout her life, has preferred not to identify as a Latina artist or a Cuban artist, but instead just as an artist. In wanting to make her work and herself non-political, she has made a very strong statement about the place of women in the art world. Unlike her male counterparts, she didn\u2019t receive much attention from galleries and museums until the 1990s. In 2016, the Whitney Museum of American Art mounted the first major museum exhibition of Herrera\u2019s work in almost three decades\u00a0<a href=\"https:\/\/whitney.org\/exhibitions\/carmen-herrera\"><em>Carmen Herrera: Lines of Sight<\/em><\/a>.<\/p>\n\n\n\n<p>At RMA, we are thrilled to celebrate Herrera\u2019s life, her tenacity, vision, and art. We are honored to have three important paintings by Herrera in our collection, and currently on view, that show her characteristic geometric, abstract style. To learn more about Herrera\u2019s work visit our collections page\u00a0<a href=\"https:\/\/www.rollins.edu\/rma\/art-collection\/\">here<\/a><a href=\"https:\/\/www.rollins.edu\/cornell-fine-arts-museum\/collection\/alfond\/artists-hj.html#CarmenHerrera\">.<\/a><\/p>\n\n\n\n<p>Gisela Carbonell, Ph.D.<br>Curator<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Carmen Herrera (Cuban, 1915-2022),\u00a0Untitled,\u00a02013,\u00a0Acrylic on canvas,\u00a072 3\/64 x 36 7\/32 in.\u00a0The Alfond Collection of Contemporary Art, Rollins Museum of Art, [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":1196,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[6,130],"tags":[123,150,151,133,11,120],"class_list":["post-1195","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-work-of-the-week","tag-american-moderisms","tag-carmen-herrera","tag-cuban-artists","tag-permanent-collection","tag-winter-park","tag-work-of-the-week"],"aioseo_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Work of the Week: Carmen Herrera, \u201cUntitled\u201d - Rollins Museum of Art<\/title>\n<meta name=\"description\" content=\"Carmen Herrera, who recently passed away, was born in Havana, Cuba. At the age of 106, she continued to work in her New York studio almost every day. Herrera\u2019s geometric abstract style is characterized by solid colors, straight lines, and a simplicity of form that eschews narrative and symbolism. She studied art and architecture in Cuba, developing at an early age a fascination with the straight line: \u201cThere is nothing that I love more than to make a straight line. How can I explain it? It\u2019s the beginning of all structures, really.\u201d\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Carmen Herrera, \u201cUntitled\u201d\" \/>\n<meta property=\"og:description\" content=\"Born in Havana, Cuba, in 1915, Carmen Herrera, turns 106 this year and continues to work in her New York studio almost every day. Herrera\u2019s geometric abstract style is characterized by solid colors, straight lines, and a simplicity of form that eschews narrative and symbolism. She studied art and architecture in Cuba, developing at an early age a fascination with the straight line: \u201cThere is nothing that I love more than to make a straight line. How can I explain it? It\u2019s the beginning of all structures, really.\u201d\" \/>\n<meta property=\"og:url\" content=\"https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/\" \/>\n<meta property=\"og:site_name\" content=\"Rollins Museum of Art\" \/>\n<meta property=\"article:published_time\" content=\"2022-03-07T08:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-09T18:09:36+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2022\/01\/herrera-carmen-untitled-3.jpeg\" \/>\n\t<meta property=\"og:image:width\" content=\"414\" \/>\n\t<meta property=\"og:image:height\" content=\"650\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Gisela Carbonell, Ph.D. Curator\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Carmen Herrera, \u201cUntitled\u201d\" \/>\n<meta name=\"twitter:description\" content=\"Born in Havana, Cuba, in 1915, Carmen Herrera, turns 106 this year and continues to work in her New York studio almost every day. Herrera\u2019s geometric abstract style is characterized by solid colors, straight lines, and a simplicity of form that eschews narrative and symbolism. She studied art and architecture in Cuba, developing at an early age a fascination with the straight line: \u201cThere is nothing that I love more than to make a straight line. How can I explain it? It\u2019s the beginning of all structures, really.\u201d\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2022\/01\/herrera-carmen-untitled-3.jpeg\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Gisela Carbonell, Ph.D. Curator\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/2022\\\/03\\\/07\\\/carmen-herrera-untitled\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/2022\\\/03\\\/07\\\/carmen-herrera-untitled\\\/\"},\"author\":{\"name\":\"Gisela Carbonell, Ph.D. Curator\",\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/#\\\/schema\\\/person\\\/69e85e32c24d813c59d13554c07c016e\"},\"headline\":\"Work of the Week: Carmen Herrera, \u201cUntitled\u201d\",\"datePublished\":\"2022-03-07T08:00:00+00:00\",\"dateModified\":\"2025-09-09T18:09:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/2022\\\/03\\\/07\\\/carmen-herrera-untitled\\\/\"},\"wordCount\":457,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/2022\\\/03\\\/07\\\/carmen-herrera-untitled\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/herrera-carmen-untitled-3.jpeg\",\"keywords\":[\"American Moderisms\",\"Carmen Herrera\",\"Cuban Artists\",\"Permanent Collection\",\"Winter Park\",\"Work of the Week\"],\"articleSection\":[\"Blog\",\"Work of the Week\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/2022\\\/03\\\/07\\\/carmen-herrera-untitled\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/2022\\\/03\\\/07\\\/carmen-herrera-untitled\\\/\",\"url\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/2022\\\/03\\\/07\\\/carmen-herrera-untitled\\\/\",\"name\":\"Work of the Week: Carmen Herrera, \u201cUntitled\u201d - Rollins Museum of Art\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/2022\\\/03\\\/07\\\/carmen-herrera-untitled\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/2022\\\/03\\\/07\\\/carmen-herrera-untitled\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/herrera-carmen-untitled-3.jpeg\",\"datePublished\":\"2022-03-07T08:00:00+00:00\",\"dateModified\":\"2025-09-09T18:09:36+00:00\",\"description\":\"Carmen Herrera, who recently passed away, was born in Havana, Cuba. At the age of 106, she continued to work in her New York studio almost every day. Herrera\u2019s geometric abstract style is characterized by solid colors, straight lines, and a simplicity of form that eschews narrative and symbolism. She studied art and architecture in Cuba, developing at an early age a fascination with the straight line: \u201cThere is nothing that I love more than to make a straight line. How can I explain it? It\u2019s the beginning of all structures, really.\u201d\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/2022\\\/03\\\/07\\\/carmen-herrera-untitled\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/2022\\\/03\\\/07\\\/carmen-herrera-untitled\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/2022\\\/03\\\/07\\\/carmen-herrera-untitled\\\/#primaryimage\",\"url\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/herrera-carmen-untitled-3.jpeg\",\"contentUrl\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/wp-content\\\/uploads\\\/2022\\\/01\\\/herrera-carmen-untitled-3.jpeg\",\"width\":414,\"height\":650,\"caption\":\"Carmen Herrera (Cuban, 1915-2022) Untitled,\u202f2013 Acrylic on canvas 72 3\\\/64 x 36 7\\\/32 in. The Alfond Collection of Contemporary Art, Gift of Barbara '68 and Theodore '68 Alfond, 2014.1.32. \u00a9 Carmen Herrera. Image courtesy of the artist and Lisson Gallery, London, 2014.1.32\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/2022\\\/03\\\/07\\\/carmen-herrera-untitled\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Work of the Week: Carmen Herrera, \u201cUntitled\u201d\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/#website\",\"url\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/\",\"name\":\"Rollins Museum of Art\",\"description\":\"Museum Blog\",\"publisher\":{\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/#organization\",\"name\":\"Rollins Museum of Art\",\"url\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/cropped-RMA_Wordmark_2021_BLU.jpg\",\"contentUrl\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/wp-content\\\/uploads\\\/2025\\\/08\\\/cropped-RMA_Wordmark_2021_BLU.jpg\",\"width\":233,\"height\":233,\"caption\":\"Rollins Museum of Art\"},\"image\":{\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/#\\\/schema\\\/person\\\/69e85e32c24d813c59d13554c07c016e\",\"name\":\"Gisela Carbonell, Ph.D. Curator\",\"url\":\"https:\\\/\\\/blogs.rollins.edu\\\/rma\\\/author\\\/gisela-carbonell\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Work of the Week: Carmen Herrera, \u201cUntitled\u201d - Rollins Museum of Art","description":"Carmen Herrera, who recently passed away, was born in Havana, Cuba. At the age of 106, she continued to work in her New York studio almost every day. Herrera\u2019s geometric abstract style is characterized by solid colors, straight lines, and a simplicity of form that eschews narrative and symbolism. She studied art and architecture in Cuba, developing at an early age a fascination with the straight line: \u201cThere is nothing that I love more than to make a straight line. How can I explain it? It\u2019s the beginning of all structures, really.\u201d","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/","og_locale":"en_US","og_type":"article","og_title":"Carmen Herrera, \u201cUntitled\u201d","og_description":"Born in Havana, Cuba, in 1915, Carmen Herrera, turns 106 this year and continues to work in her New York studio almost every day. Herrera\u2019s geometric abstract style is characterized by solid colors, straight lines, and a simplicity of form that eschews narrative and symbolism. She studied art and architecture in Cuba, developing at an early age a fascination with the straight line: \u201cThere is nothing that I love more than to make a straight line. How can I explain it? It\u2019s the beginning of all structures, really.\u201d","og_url":"https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/","og_site_name":"Rollins Museum of Art","article_published_time":"2022-03-07T08:00:00+00:00","article_modified_time":"2025-09-09T18:09:36+00:00","og_image":[{"width":414,"height":650,"url":"http:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2022\/01\/herrera-carmen-untitled-3.jpeg","type":"image\/jpeg"}],"author":"Gisela Carbonell, Ph.D. Curator","twitter_card":"summary_large_image","twitter_title":"Carmen Herrera, \u201cUntitled\u201d","twitter_description":"Born in Havana, Cuba, in 1915, Carmen Herrera, turns 106 this year and continues to work in her New York studio almost every day. Herrera\u2019s geometric abstract style is characterized by solid colors, straight lines, and a simplicity of form that eschews narrative and symbolism. She studied art and architecture in Cuba, developing at an early age a fascination with the straight line: \u201cThere is nothing that I love more than to make a straight line. How can I explain it? It\u2019s the beginning of all structures, really.\u201d","twitter_image":"https:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2022\/01\/herrera-carmen-untitled-3.jpeg","twitter_misc":{"Written by":"Gisela Carbonell, Ph.D. Curator","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/#article","isPartOf":{"@id":"https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/"},"author":{"name":"Gisela Carbonell, Ph.D. Curator","@id":"https:\/\/blogs.rollins.edu\/rma\/#\/schema\/person\/69e85e32c24d813c59d13554c07c016e"},"headline":"Work of the Week: Carmen Herrera, \u201cUntitled\u201d","datePublished":"2022-03-07T08:00:00+00:00","dateModified":"2025-09-09T18:09:36+00:00","mainEntityOfPage":{"@id":"https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/"},"wordCount":457,"commentCount":0,"publisher":{"@id":"https:\/\/blogs.rollins.edu\/rma\/#organization"},"image":{"@id":"https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/#primaryimage"},"thumbnailUrl":"https:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2022\/01\/herrera-carmen-untitled-3.jpeg","keywords":["American Moderisms","Carmen Herrera","Cuban Artists","Permanent Collection","Winter Park","Work of the Week"],"articleSection":["Blog","Work of the Week"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/","url":"https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/","name":"Work of the Week: Carmen Herrera, \u201cUntitled\u201d - Rollins Museum of Art","isPartOf":{"@id":"https:\/\/blogs.rollins.edu\/rma\/#website"},"primaryImageOfPage":{"@id":"https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/#primaryimage"},"image":{"@id":"https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/#primaryimage"},"thumbnailUrl":"https:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2022\/01\/herrera-carmen-untitled-3.jpeg","datePublished":"2022-03-07T08:00:00+00:00","dateModified":"2025-09-09T18:09:36+00:00","description":"Carmen Herrera, who recently passed away, was born in Havana, Cuba. At the age of 106, she continued to work in her New York studio almost every day. Herrera\u2019s geometric abstract style is characterized by solid colors, straight lines, and a simplicity of form that eschews narrative and symbolism. She studied art and architecture in Cuba, developing at an early age a fascination with the straight line: \u201cThere is nothing that I love more than to make a straight line. How can I explain it? It\u2019s the beginning of all structures, really.\u201d","breadcrumb":{"@id":"https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/#primaryimage","url":"https:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2022\/01\/herrera-carmen-untitled-3.jpeg","contentUrl":"https:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2022\/01\/herrera-carmen-untitled-3.jpeg","width":414,"height":650,"caption":"Carmen Herrera (Cuban, 1915-2022) Untitled,\u202f2013 Acrylic on canvas 72 3\/64 x 36 7\/32 in. The Alfond Collection of Contemporary Art, Gift of Barbara '68 and Theodore '68 Alfond, 2014.1.32. \u00a9 Carmen Herrera. Image courtesy of the artist and Lisson Gallery, London, 2014.1.32"},{"@type":"BreadcrumbList","@id":"https:\/\/blogs.rollins.edu\/rma\/2022\/03\/07\/carmen-herrera-untitled\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/blogs.rollins.edu\/rma\/"},{"@type":"ListItem","position":2,"name":"Work of the Week: Carmen Herrera, \u201cUntitled\u201d"}]},{"@type":"WebSite","@id":"https:\/\/blogs.rollins.edu\/rma\/#website","url":"https:\/\/blogs.rollins.edu\/rma\/","name":"Rollins Museum of Art","description":"Museum Blog","publisher":{"@id":"https:\/\/blogs.rollins.edu\/rma\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/blogs.rollins.edu\/rma\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/blogs.rollins.edu\/rma\/#organization","name":"Rollins Museum of Art","url":"https:\/\/blogs.rollins.edu\/rma\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/blogs.rollins.edu\/rma\/#\/schema\/logo\/image\/","url":"https:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2025\/08\/cropped-RMA_Wordmark_2021_BLU.jpg","contentUrl":"https:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2025\/08\/cropped-RMA_Wordmark_2021_BLU.jpg","width":233,"height":233,"caption":"Rollins Museum of Art"},"image":{"@id":"https:\/\/blogs.rollins.edu\/rma\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/blogs.rollins.edu\/rma\/#\/schema\/person\/69e85e32c24d813c59d13554c07c016e","name":"Gisela Carbonell, Ph.D. Curator","url":"https:\/\/blogs.rollins.edu\/rma\/author\/gisela-carbonell\/"}]}},"_links":{"self":[{"href":"https:\/\/blogs.rollins.edu\/rma\/wp-json\/wp\/v2\/posts\/1195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.rollins.edu\/rma\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.rollins.edu\/rma\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.rollins.edu\/rma\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.rollins.edu\/rma\/wp-json\/wp\/v2\/comments?post=1195"}],"version-history":[{"count":7,"href":"https:\/\/blogs.rollins.edu\/rma\/wp-json\/wp\/v2\/posts\/1195\/revisions"}],"predecessor-version":[{"id":3163,"href":"https:\/\/blogs.rollins.edu\/rma\/wp-json\/wp\/v2\/posts\/1195\/revisions\/3163"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.rollins.edu\/rma\/wp-json\/wp\/v2\/media\/1196"}],"wp:attachment":[{"href":"https:\/\/blogs.rollins.edu\/rma\/wp-json\/wp\/v2\/media?parent=1195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.rollins.edu\/rma\/wp-json\/wp\/v2\/categories?post=1195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.rollins.edu\/rma\/wp-json\/wp\/v2\/tags?post=1195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}