{"id":1342,"date":"2022-08-15T08:00:00","date_gmt":"2022-08-15T08:00:00","guid":{"rendered":"https:\/\/blogs.rollins.edu\/rma\/?p=1342"},"modified":"2022-07-16T18:01:32","modified_gmt":"2022-07-16T18:01:32","slug":"gertrude-kasebier-the-red-man","status":"publish","type":"post","link":"https:\/\/blogs.rollins.edu\/rma\/2022\/08\/15\/gertrude-kasebier-the-red-man\/","title":{"rendered":"Work of the Week: Gertrude K\u00e4sebier, \u201cThe Red Man\u201d"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"597\" height=\"800\" src=\"https:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2022\/07\/81514.jpg\" alt=\"\" class=\"wp-image-1343\" srcset=\"https:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2022\/07\/81514.jpg 597w, https:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2022\/07\/81514-224x300.jpg 224w, https:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2022\/07\/81514-100x134.jpg 100w, https:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2022\/07\/81514-150x201.jpg 150w, https:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2022\/07\/81514-200x268.jpg 200w, https:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2022\/07\/81514-300x402.jpg 300w, https:\/\/blogs.rollins.edu\/rma\/wp-content\/uploads\/2022\/07\/81514-450x603.jpg 450w\" sizes=\"auto, (max-width: 597px) 100vw, 597px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Gertrude K\u00e4sebier<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">(American, 1852\u20131934), <em>The Red Man<\/em>, 1898, Photogravure print. Purchased with the Michel Roux Acquisitions Fund, 2013.13<\/h3>\n\n\n\n<p class=\"has-drop-cap\">I remember holding my first camera at age 5.<\/p>\n\n\n\n<p>It was a film SLR\u2014to this day I am still a purist\u2014and from the first sound of the shutter release I was hooked. It was magic. It was science. It was a new way to see the world. <\/p>\n\n\n\n<p>You can imagine my surprise when in my first year of college as an art major, I learned photography had inherited the stigma of being considered a lesser artistic medium. The advent of the Kodak handheld camera near the end of the nineteenth century had enabled amateurists to take part in the point-and-shoot photo revolution, leaving behind early experimentation with honing the medium\u2019s artistic sensibilities. Due to its being a mechanical process with the capacity to reproduce the physical world, the artist\u2019s hand no longer seemed part of the equation. Luckily, many photographers, among them Gertrude K\u00e4sebier, could see past this perceived limitation.<\/p>\n\n\n\n<p>Science could be art\u2014and it could be beautiful.<\/p>\n\n\n\n<p>She was an early supporter of the Pictorialism movement, which sought to reverse the idea that photography could not be painterly. Joining the likes of Alfred Stieglitz and Edward Steichen in the Photo Secession group, she adopted several older, labor-intensive printing styles, used alternative chemicals that yielded more nuanced tonal ranges, and reworked her plates with paintbrushes and other methods before printing. In the pictorialists\u2019 hands, photography was art and being a photographer was a professionalized artistic craft.<\/p>\n\n\n\n<p>We can see K\u00e4sebier\u2019s painterly approach to photography in <em>The Red Man <\/em>(1898), a photogravure portrait of Takes Enemy, a Sioux performer in Buffalo Bill Cody\u2019s Wild West Show. K\u00e4sebier\u2019s choice to ink her plate with a brown, sepia tone was customary of pictorialists, as it presented a way of imbuing an image with emotion. The mischievously mysterious expression lends character and individuality to the sitter, setting it apart from the larger portfolio of images taken that day. While K\u00e4sebier\u2019s photographs of the Wild West Sioux ensemble do not manage to sidestep the problematic romanticism of the \u201ctamed and noble native\u201d perpetuated through the medium, it does suggest a greater sense of agency was exchanged between photographer and subject.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Alexia Lobaina<br>Former Associate Curator of Education<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>To learn more about this work by Gertrude K\u00e4sebier, visit our <a href=\"https:\/\/www.rollins.edu\/rma\/collection\/photography\/#GertrudeK%C3%A4sebier\" target=\"_blank\" rel=\"noreferrer noopener\">Collection page<\/a>.<\/p>\n\n\n\n<p>This blog post was originally posted in 2020\/2021. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gertrude K\u00e4sebier was an early supporter of the Pictorialism movement, which sought to reverse the idea that photography could not be painterly. Joining the likes of Alfred Stieglitz and Edward Steichen in the Photo Secession group, she adopted several older, labor-intensive printing styles, used alternative chemicals that yielded more nuanced tonal ranges, and reworked her plates with paintbrushes and other methods before printing. In the pictorialists\u2019 hands, photography was art and being a photographer was a professionalized artistic craft.<\/p>\n","protected":false},"author":1,"featured_media":1343,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[6,130],"tags":[218,77,79,29,11,154,120],"class_list":["post-1342","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-work-of-the-week","tag-american-photographer","tag-gertrude-kasebier","tag-photography","tag-rollins-college","tag-winter-park","tag-women-artists","tag-work-of-the-week"],"aioseo_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Work of the Week: Gertrude K\u00e4sebier, \u201cThe Red Man\u201d - Rollins Museum of Art<\/title>\n<meta name=\"description\" content=\"Gertrude K\u00e4sebier was an early supporter of the Pictorialism movement, which sought to reverse the idea that photography could not be painterly. 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