{"id":1378,"date":"2022-08-29T08:00:00","date_gmt":"2022-08-29T08:00:00","guid":{"rendered":"https:\/\/blogs.rollins.edu\/rma\/?p=1378"},"modified":"2023-10-12T15:39:04","modified_gmt":"2023-10-12T15:39:04","slug":"peggy-bacon-lamentable-lunch","status":"publish","type":"post","link":"https:\/\/blogs.rollins.edu\/rma\/2022\/08\/29\/peggy-bacon-lamentable-lunch\/","title":{"rendered":"Work of the Week: Peggy Bacon’s “Lamentable Lunch”"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

Peggy Bacon (American, 1895-1987) Lamentable Lunch<\/em>, 1952, Gouache on paper, 7 . x 5 in. Gift of Anne M. Farr, 1997.7<\/h3>\n\n\n\n

This small work by American artist Peggy Bacon (1895-1987) has always intrigued me. The distinctive features of the man\u2019s face, his sad, monotonous expression, and the ordinary setting invite me to imagine a narrative about who he is. I wonder what he did before he sat down to eat, and what happened after.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Born in Ridgefield, Connecticut, Bacon was a prolific caricaturist, painter, and illustrator, who often contributed to the New Yorker as well as to other widely circulated publications. Many of Bacon\u2019s works are satirical and humorous; the distinctive facial features, exaggerated gestures and expressions convey the mood of the scene. In the 1920s and 30s she created a series of caricatures portraying stereotypical characters of the New York art world. In the following decades, Bacon continued creating images of ordinary people, like the man depicted in Lamentable Lunch<\/em>.<\/p>\n\n\n\n

<\/p>\n\n\n\n

In this work, a man sits alone at the table, stirring his coffee, eyes downcast while holding a sandwich on his right hand. The simplicity of the setting\u2014a plain, unadorned table and the visible coat rack on the back wall\u2014perhaps, a nearby cafeteria, reinforces the ordinary character of the sitter. His wrinkled hands and face emphasize his age, and his posture suggests his lack of enthusiasm.<\/p>\n\n\n\n

Is this less than appetizing lunch the normal routine for this man? Is he alone by choice or would he rather have company? While looking at the work, I can\u2019t help but think of Billy Collins\u2019 poem Dining Alone, which reads in part:<\/p>\n\n\n\n

<\/p>\n\n\n\n

I would rather eat at the bar,<\/p>\n\n\n\n

but such behavior is regarded<\/p>\n\n\n\n

by professionals as a form of denial,<\/p>\n\n\n\n

so here I am seated alone<\/p>\n\n\n\n

at a table with a white tablecloth<\/p>\n\n\n\n

Attended by an elderly waiter with no name\u2014<\/p>\n\n\n\n

Ideal conditions for dining alone<\/p>\n\n\n\n

According to the connoisseurs of this minor talent.<\/p>\n\n\n\n

I have brought neither book nor newspaper<\/p>\n\n\n\n

since reading material is considered cheating.<\/p>\n\n\n\n

Eating alone, they say, means eating alone,<\/p>\n\n\n\n

not in the company of Montaigne<\/p>\n\n\n\n

or the ever-engaging Nancy Mitford.<\/p>\n\n\n\n

Nor do I keep glancing up as if waiting<\/p>\n\n\n\n

for someone who inevitably fails to appear\u2014<\/p>\n\n\n\n

a sign of moral weakness<\/p>\n\n\n\n

to those who take this practice seriously.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Bacon\u2019s work could be interpreted in a myriad of ways, where we may see a little bit of ourselves in this image.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Gisela Carbonell, Ph.D.<\/p>\n\n\n\n

Curator<\/p>\n\n\n\n

Read more about this work by Peggy Bacon on our Collection page.<\/p>\n\n\n\n

This article was originally published in 2020. <\/p>\n","protected":false},"excerpt":{"rendered":"

Peggy Bacon (American, 1895-1987) Lamentable Lunch, 1952, Gouache on paper, 7 . x 5 in. Gift of Anne M. 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