42nd Comparative Drama Conference
Text & Presentation
Call for Papers
April 5-7, 2018
2018 Keynote Event
April 6, 2017 8 p.m. (followed by a reception)
Keynote Q&A: Simon Stephens
(photo by Kevin Cummins)
Simon Stephens’s early work at the Royal Court includes BLUEBIRD (1998); HERONS (2001), COUNTRY MUSIC (2004) and MOTORTOWN (2006). In 2008 his play HARPER REGAN opened at the National Theatre, and SEA WALL, starring Andrew Scott, played at the Bush. Simon then had success with his plays PORNOGRAPHY (Deutsches Schauspielhaus, Hanover, 2007 and Edinburgh Festival / Birmingham Rep, 2008 and Tricycle Theatre, 2009) and PUNK ROCK (Lyric Hammersmith / Manchester Royal Exchange, 2009) which won the 2009 Manchester Evening News Award for Best Production. In 2011, I AM THE WIND, an adaptation from Jon Fosse’s original, opened at the Young Vic. 2012 saw THREE KINGDOMS performed in London, Tallinn and Munich, MORNING at the Lyric Theatre, and a new version of Ibsen’s A DOLL’S HOUSE at the Young Vic which subsequently transferred to the Duke of York’s Theatre in 2013.
His adaption of Mark Haddon’s novel THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME won the Oliver and Tony Awards for Best New Play (National Theatre, 2012; Apollo Theatre, 2013; Gielgud, 2014 – present; Barrymore Theatre in Broadway, 2015). In 2014 Simon premiered CARMEN DISRUPTION at Deutsches Schauspielhaus in Hamburg, which transferred to the Almeida Theatre in London in 2015, and BIRDLAND at the Royal Court. His adaptation of Chekhov’s THE CHERRY ORCHARD also opened at the Young Vic in 2014. In 2015, HEISENBERG opened at MTC in New York and transferred to the Friedman in 2016; THE FUNFAIR, Simon’s new version of Ödön von Horváth’s KASIMIR AND KAROLINE, opened at Home Theatre in Manchester; and SONG FROM FAR AWAY, directed by award-winning Belgian director Ivo van Hove, received its UK premiere at the Young Vic. His version of Brecht and Weill’s THE THREEPENNY OPERA opened at the National in May 2016. 2017 has seen the openings of NUCLEAR WAR at the Royal Court, his English language version of OBSESSION at the Barbican, FATHERLAND at the Royal Exchange for the Manchester International Festival, and his new adaptation of THE SEAGULL comes to the Lyric Hammersmith later in 2017.
Simon is Artistic Associate at the Lyric Theatre and Associate Playwright at the Royal Court. He was also on the board for Paines Plough between 2009 and 2014, and was a Writers’ Tutor for the Young Writers’ Programme at the Royal Court between 2001 and 2005.
Papers reporting on original investigations and critical analysis of research and developments in the field of drama and theatre are invited for the 42nd Comparative Drama Conference, hosted by Rollins College in Orlando, Florida, to be held April 5-7, 2018 . Papers may be comparative across nationalities, periods and disciplines; and may deal with any issue in dramatic literature, criticism, theory, and performance, or any method of historiography, translation, or production. Papers should be 15 minutes in length, written for oral presentation, and accessible to a multi-disciplinary audience. Scholars and artists in all languages and literatures are invited to email a 250 word abstract in English to Dr. William C. Boles at email@example.com by 3 December 2017. Please include paper title, author’s name, status (faculty, graduate student, other/scholar-at-large), institutional affiliation, and postal address at top left. Abstracts must present a clear argument and have an appropriate scope (usually two or fewer works). (PLEASE be sure to add firstname.lastname@example.org to your accepted email list so that conference emails will not be rejected by your server. Ask your IT administrator how to do so.) If you do not receive e-mail confirmation that we received your abstract/submission within 14 days, we did not receive your submission. Please contact us immediately at email@example.com. Those whose abstracts are accepted for presentation are expected to attend the conference. Due to the number of submissions, the adjudicators are unable to offer specific feedback on panels, abstracts, or scripts. Abstracts will be printed in the conference program. Accepted presentations will be scheduled in a room with a projector, screen, and speakers. If you wish to use a laptop, please bring your own as well as a dongle. We do not provide remote control devices.
Pre-organized Panels and Roundtables will also be considered. A pre-organized panel should include three papers. Each paper should be 15 minutes in length. Panel proposals should include (1) a copy of each panelist’s 250 word abstract with paper title, author’s name, institutional affiliation, status, postal address and email address at top left, and (2) a succinct, 50-word rationale for the grouping of the papers. The panel organizer should email the abstracts and rationale to firstname.lastname@example.org by 3 December 2017. A pre-organized roundtable should include at least four participants. Roundtable proposals should include (1) a succinct, 50 word explanation of and rationale for the roundtable topic, (2) a timeline of the program, including time for audience interaction and Q & A, and (3) clear evidence of each participant’s expertise in the topic area. Do not send entire vitae. Include only evidence applicable to the roundtable topic. The panel or roundtable organizer should email the abstracts and rationale to email@example.com by 3 December 2017.
If you would like to advertise a pre-organized panel on the CDC website, please send the panel title, organizer contact information, deadline, and description to firstname.lastname@example.org immediately.
To see the call for pre-organized panels, visit our Pre-organized Panels page.
The conference board invites proposals for staged readings of new plays. Two full-length (one-act or more) new plays will receive staged readings during the course of the conference. Each staged reading will be followed by a talkback with the audience led by a dramaturg. This year, we will have two slots for a 90 minute staged reading. If you would prefer to have your play staged by a director and/or with a cast of your own choosing, please include their information as part of the proposal; otherwise, a director and actors may be assigned by the Conference Director in coordination with the Resident Dramaturg and a director from the Comparative Drama Conference. Those proposing a staged reading should submit the play’s title, character list, a 200 word summary of the play, a 100 word rationale for staging a reading of the play at this conference, and an exemplary scene or act in Word Document form to email@example.com by 3 December 2017.
Submitters and non-submitters of abstracts who are interested in chairing a session at the conference are invited to send a two-paragraph resume highlighting their areas of expertise to firstname.lastname@example.org by 3 December 2017.
The Comparative Drama Conference is an international, interdisciplinary conference founded by Dr. Karelisa Hartigan at the University of Florida in 1977. Every year, approximately 175 scholars are invited to present and discuss their work in the field of drama and 2 new plays receive a staged reading. The conference draws participants from both the Humanities and the Arts. The papers delivered range over the entire field of theatre research and production. Over the past 40 years, participants have come from 32 nations and all 50 states. Each year a distinguished theatre scholar or artist is invited to address the participants in the Keynote Event.
The Philadelphia Constantinidis Essay in Critical Theory Award
The $1000 Philadelphia Constantinidis Essay in Critical Theory Award will be given to the best comparative essay on any aspect and period of Greek drama or theatre that was published in English in any journal or anthology in any country between January 1 and December 31 in the prior year. The award was established in 2006 in memory of Philadelphia Constantinidis to encourage research and writing on Greek drama and theatre. This is an open rank competition for academics, independent scholars, and doctoral students. The award is administered by the Board of the Comparative Drama Conference. The Board solicits nominations and self-nominations for this award. The winner will be notified by the Director of the Comparative Drama Conference, and will be offered complimentary hotel accommodations and a registration fee waiver to attend the Comparative Drama Conference.
The winner will also receive a check of one thousand dollars ($1,000) during the awards ceremony. The deadline for nominations is December 31, 2017. Nominating letters and electronic copies of the essays (converted to Adobe PDF) should be emailed to The Constantinidis Award Committee, Chair Kevin J. Wetmore, Jr., at Kevin.Wetmore@lmu.edu. Postal mail and faxes are not acceptable. The letter of nomination should include the name of the author of the published essay, the title of the essay, the year of publication, the name of the journal, the email address and postal address of the author, and a brief statement explaining why this essay was chosen for nomination. Recipients of the award are not eligible for nomination for a three year period.
Anthony Ellis Prize for Best Paper by a Graduate Student
In honor of the late Tony Ellis, a board member, valued friend, and committed mentor to graduate students, the Comparative Drama Conference is pleased to announce the Anthony Ellis Prize for Best Paper by a Graduate Student. Any graduate student who presented a paper at the conference is eligible for consideration. Interested applicants should submit a full-length version (15-25 pages) of his/her research paper to the Editor of Text & Presentation by 31 May following the conference. The winning paper will be published with special recognition in Text & Presentation. The winner will also be honored at the next year’s conference, where he/she will have the conference registration fee waived and will receive one night’s free hotel room. Please email submissions as Word attachments to the editor, Jay Malarcher, Jay.Malarcher@mail.wvu.edu, by 31 May following the conference.
The Joel Tansey Memorial Award for Graduate Student Travel to the Comparative Drama Conference
The Comparative Drama Conference is pleased to announce this award, established in 2016, and presented in memory of Joel Tansey, award-winning scholar, writer, professor of French Literature, and Assistant Editor of Text & Presentation (2008-11). Any graduate student who presents a paper at the conference is eligible for consideration. Interested applicants should submit a full-length version (15-25 pages) of their research paper, as a Word attachment, to the Editor of Text & Presentation, Jay Malarcher, Jay.Malarcher@mail.wvu.edu, by 31 May following the conference. The winning paper will be published with special recognition in Text & Presentation. The winner will also be honored at the next year’s conference, where she or he will receive the award, accompanied by $400 for their conference travel expenses.
The Publication: Text and Presentation
Since 1980, The Comparative Drama Conference Series has been publishing the best papers presented at its annual meetings, keeping readers current in scholarship and performance aesthetics in drama internationally. Text & Presentation’s articles have framed dramatic discourse, identified emerging trends, and challenged established views. Each volume consists of about a dozen articles which have passed the mandated anonymous peer review. For back issues, visit www.McFarlandpub.com.
Participants in the conference are invited to submit their papers for publication consideration to the editor of Text & Presentation. The editor of this year’s publication, Jay Malarcher, can be reached at Jay.Malarcher@mail.wvu.edu. Manuscripts should be formatted according to the T & P style. Authors are expected to expand their manuscripts beyond presentation-length conference papers into full-length scholarly essays, with a maximum length of 25 double-spaced pages (including notes, works cited, and photos). Each volume also features several book reviews by noted scholars.
Submitters of abstracts will be notified by email on or before 30 January 2018 as to the board’s decision regarding their abstracts. Those submitters whose proposed papers are accepted for presentation will be asked to prepare full papers, suitable for 15-minute readings, for delivery at the conference. Those whose papers are accepted are expected to attend the conference. Presenters are required to pre-register.
The 2018 pre-registration fees (through March 6, 2018) are as follows:
1. Presenter, Reader or Presenter Session Chair: $125 for faculty members, $100 for graduate students
2. Non-presenter Session Chair: $80
3. Guest: $70
4. Student Guest: $40
5. One day guest passes: $30 for non-students ($20 for students)
The pre-registration fee for categories 1–4 covers all conference events and services including a copy of the conference Programs and Abstracts book, a copy of the current edition of Text and Presentation, admission to all conference events, and admission to the conference reception.
For those who wish to register after March 6, 2018 or at the conference, the fees increase to $145 (faculty)/$110 (grad student), $90 (Non-presenter Session chair), $80 (guest), and $50 (Student guest) respectively. Submitters of abstracts are also advised to apply for travel funds from their home institutions as early as possible.
Please circulate this announcement to other interested parties.
Contact us at email@example.com for more information.