Photographer Jess T. Dugan Explores the Identity, Desire, and Connection of Their Subjects

Jess T. Dugan is a photographer whose work largely focuses on members of the LGBTQ+ community. Dugan makes photographic portraits that explore issues of gender, sexuality, identity, and community from a highly individual and humanistic point of view. Dugan combines

On a dirt road two women whisper in the foreground while more people stand by and lean on a white car in the background

The Secret, Alachua, FL by Photographer Michael Bühler-Rose

How The Secret, Alachua, FL by photographer Michael Bühler-Rose helps expand our sense of what cultural exchange might mean.

Black and White Photograph

Lorna Simpson: Artist and Pioneer of Conceptual Photography

A pioneer of conceptual photography, Lorna Simpson is best known for her large-scale works combining images and text. Simpson’s photography often questions and challenges conventional views on gender, sexuality, race, identity, and culture in the United States. Many of her pieces created between 1985 and 1995 incorporate text to complicate the meaning of the image and provide commentary on a variety of issues. Explore Simpson’s works from the Rollins Museum of Art collection

Work of the Week: Gertrude Käsebier, “The Red Man”

Gertrude Käsebier was an early supporter of the Pictorialism movement, which sought to reverse the idea that photography could not be painterly. Joining the likes of Alfred Stieglitz and Edward Steichen in the Photo Secession group, she adopted several older, labor-intensive printing styles, used alternative chemicals that yielded more nuanced tonal ranges, and reworked her plates with paintbrushes and other methods before printing. In the pictorialists’ hands, photography was art and being a photographer was a professionalized artistic craft.

Work of the Week: David Hilliard, “Wiser than Despair”

David Hilliard(American, b. 1964), Wiser Than Despair, 2012, C-print, 24 in. x 80 in. The AlfondCollection of Contemporary Art at Rollins College, Gift of Barbara ’68 and Theodore ’68Alfond, 2013.34.12. Image courtesy of the artist and Carroll and Sons, Boston.

When Photography Became Art: Pictorialism

Today I would like to consider two photographs by American photographers, The Red Man by Gertrude Käsebier and Ziletta by F. Holland Day. The two images are remarkably similar, presenting close-up, cropped depictions of the human face. Both photos, reproduced