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Lorna Simpson: Artist and Pioneer of Conceptual Photography

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A pioneer of conceptual photography, Lorna Simpson is best known for her large-scale works combining images and text. Simpson’s photography often questions and challenges conventional views on gender, sexuality, race, identity, and culture in the United States. Many of her pieces created between 1985 and 1995 incorporate text to complicate the meaning of the image and provide commentary on a variety of issues. Explore Simpson’s works from the Rollins Museum of Art collection

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3 black and white images of a woman and girl at a kitchen table in different sitting and standing positions

Works by American Photographer Carrie Mae Weems in the Rollins Museum of Art Collection

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Gain insights into the works of American Photographer Carrie Mae Weems that are featured in the permanent collection at The Rollins Museum of Art.

Carrie Mae Weems (American, b. 1963) Untitled (Woman with Daughter), From the Kitchen Table Series, 1990 Silver prints, triptych 28 1/4 x 28 1/4 inches each. The Alfond Collection of Contemporary Art, Rollins Museum of Art. Gift of Barbara ’68 and Theodore ’68 Alfond, 2014.1.26. © Carrie Mae Weems. Image courtesy of the artist and Jack Shaiman Gallery, New York.

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Tar Beach by Faith Ringgold, From the RMA Collection

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As an artist and activist, Ringgold’s career has been dedicated to exploring themes of race and gender equality. She grew up in the creatively fertile Harlem Renaissance, a time and place where perceptions of black culture and identity were redefined. Her work incorporates the narrative traditions of quiltmaking and African American history with great resonance, serving as platform to share her story and that of those before her.

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Work of the Week: Daniel Lind-Ramos, “Vencedor: 1797 (Victorius: 1797)”

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Daniel Lind-Ramos (Puerto Rican, b. 1953), Vencedor: 1797 (Victorius: 1797), 2018-2019, Mixed media, 67 x 70 x 33 in. The Alfond Collection of Contemporary Art at Rollins College, Gift of Barbara ’68 and Theodore ’68 Alfond. 2020.1.1 ©Daniel Lind-Ramos The sculpture Vencedor: 1797 was…

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Work of the Week: Dawoud Bey, “Janice Kemp and Triniti Williams”

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Dawoud Bey (American, b. 1953), Janice Kemp and Triniti Williams, 2012, Archival pigment prints mounted on dibond, 40 x 64 in (40 x 32 in individually), Museum purchase from the Kenneth Curry Acquisition Fund, 2015.9., Image courtesy of the artist and Rena Bransten Gallery A…

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Work of the Week: Jacob Lawrence, “Revolt on the Amistad”

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Jacob Lawrence (American, 1917-2000), Revolt on the Amistad, 1989, Silkscreen, 35 x 25 3/8 in. Museum Purchased from the Wally Findlay Acquisition Fund, 1995.26., © 2020 Jacob Lawrence/Artist Rights Society (ARS), New York A group of massed, twisting figures, rendered in bright, even color, struggle…

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Work of the Week: Emory Douglas, “Warning to America-We are 25-30 million strong”

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Born in Grand Rapids, Michigan, Emory Douglas moved with his mother to San Francisco when he was eight. At age 21 he began taking commercial art classes at City College, working as a designer and printer at local advertising agencies…

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Work of the Week: Romare Bearden, “Byzantine Frieze (from the series Ritual Bayou)”

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Romare Howard Bearden American (Charlotte, North Carolina, United States, 1911 – 1988), Byzantine Frieze (from the series Ritual Bayou), 1971, lithograph collage, 17 7/8 x 21 1/4 in. Gift of Mr. and Mrs. Robert L. Gardner, 1983.34.2 © 2020 Romare Bearden Foundation / Licensed by…

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