Last season, it had been two years since we introduced the theme of Place as Metaphor for our main collection gallery. Every season, we changed the installation somewhat, brought in new acquisitions and old favorites that had not been on…
Earlier this week I happened to get off the elevator on the second floor of The Alfond Inn. I had not been on that floor recently, so it had been a while since I had seen Ridley Howard’s Motel Pool. …
Jordan Casteel and I have Italy and New York in common as career influencers. It was during a semester spent in Cortona as an undergraduate that Casteel decided to switch her major from sociology and anthropology to art. Later, while…
Last summer, when our museum was closed due to the pandemic and the future was very uncertain, we started looking for new ways to keep more closely in touch with our diverse publics: students, life-long learners, members, donors. We introduced virtual programs…
Back in January, we included Aquarium, a 3D video animation work by Cuban artist Sandra Ramos, in our museum’s collection installation, The Place as Metaphor: Collection Conversations. The narrative crafted by Ramos responded to the theme on multiple levels: it…
Rina Banerjee’s Her captivity was once someone’s treasure… combines historical objects (a Victorian birdcage, a 19th-century New England table) with elements both natural (gourds, feathers, shells, coral), and man-made (doll heads, glass beads). The resulting sculpture possesses an eclectic architecture…
I read somewhere that collections are what museums are; exhibitions, what they do. This makes perfect sense, of course. Except for the comparatively rare kunsthalle (a German word roughly translated to “art gallery” but used in English to mean non-collecting…
One of the paintings in our current exhibition, Dangerous Women: Selections from the John and Mable Ringling Museum of Art , depicts an episode from the story of Joseph and Potiphar’s wife, as recounted in the biblical book of Genesis.…
One of the rarest paintings in the Cornell Fine Arts Museum’s collection is Lavinia Fontana’s Dead Christ with Symbols of the Passion. Dated 1581, It is one of only 32 signed and dated (or datable) works by the artist. Lavinia…
How do paintings from an art-filled, Ohio home become the core of the only European Old Masters museum collection in the Orlando area? The story began in 1870. Family patriarch, Francis Eunoch Myers, arrived in Ashland, OH to work as…
