Research Highlights, Part 7: New Direction in Andrew Moore’s work

Last week I wrote about research I have been doing on two recent acquisitions in CFAM’s Alfond Collection. This week, I’d like to continue with American photographer Andrew Moore’s 2016 Pitt’s Folly, Perry County, AL, from the recent series Blue

Research Highlights, Part 6: Diving into Contemporary Art

In art history, as in most academic disciplines, we divide ourselves into a dizzying array of subfields, from experts in ancient Greek pottery to Qing-era Chinese painting to Mayan architecture and far beyond. My own expertise is in nineteenth century

Research Highlights, Part 5: Etchings of Modern Life in the CFAM Collection

One of the particular strengths of the CFAM collection I have been delighted to discover is in the medium of etching, one of the primary modes of printmaking used by artists since the Renaissance. To make an etching, a very

Research Highlights, Part 4: Tibor Pataky, Florida Artist

For me, one of the great pleasures of museum work is getting to know an individual collection. At institutions like CFAM, which are tied to specific communities of alumni, donors, students, faculty, and local visitors, collections grow organically, reflecting the

Change is Coming

“Change is coming, whether you like it or not.” – Greta Thunberg What change is coming? Climate change and the movements centered around it. As we celebrate Earth Day on April 22nd, an annual event dedicated to environmental protection, here’s

Research Highlights, Part 3: National Visions, Personal Visions: American Landscape Painting

I would like to begin this week’s post on a bit of a personal note. I live in Southwest Virginia, on the edge of the beautiful Blue Ridge Mountains. Since March 30, however, Virginia has been under a stay-at-home order,

Research Highlights, Part 2: Artistic Friendship in the Adirondacks

Part 2: A Case of Artistic Friendship: A.F. Tait and J.M. Hart So often we consider artists and their work in a kind of vacuum, seeing them as exemplars of individual genius rather than members of communities. Sure, we might

Research Highlights, New Insights into the American Art Collection, Part 1: Connoisseurship, or When is a Stuart not a Stuart?

Forward written by: Ena Heller, Bruce A. Beal Director, CFAM We are happy to introduce new insights into the museum’s American Art Collection. In our latest blog series, American Art Research Fellow Grant Hamming will share the results of his ongoing

Conservation Connections: Mushrooms Plug Tray 100 by Artist Brian Burkhardt

Recently, there has been an explosion of scholarship into the conservation of contemporary works of art. Historically a field limited to traditional art forms, with conservators painstakingly dissolving individual layers of varnish or carefully inpainting a damaged square centimeter of

Summer in the Hamptons: Bridgehampton by Arne Besser

For decades, the Hamptons have been a prime spot for summer fun and a location from which artists draw endless inspiration. The New York-based artist Arne Besser (1935-2012) first gained recognition in the art world for his Photorealist paintings of

The Different Lives Of Women

This post was written in 2019 and has been edited to update pertinent information. Rina Banerjee’s Her captivity was once someone’s treasure… combines historical objects (a Victorian birdcage, a 19th-century New England table) with elements both natural (gourds, feathers, shells,

A Museum’s Raison D’Etre: Art Encounters Catalog at Rollins Museum of Art

I read somewhere that collections are what museums are; exhibitions, what they do. This makes perfect sense, of course. Except for the comparatively rare kunsthalle (a German word roughly translated to “art gallery” but used in English to mean non-collecting