Work of the Work: Tom Peterson, “The Divine Comedy”

This painting references the titular narrative poem by Dante Alighieri (1265-1321), a work of Italian literature originally published in 1320. Dante’s Divine Comedy chronicles the author’s supposed visit to the realms of the afterlife, narrated in first person. Towards the right of the composition, Dante the Pilgrim—the figure holding a book—traverses through Hell, indicated by the fiery orange background. Specifically, Peterson referenced the thirteenth canto of the Inferno, where Dante and his spiritual guide Virgil journey through the forest of the suicides in the seventh circle of Hell. In the Inferno, violence against oneself is punished by the transformation of the body into a tree where the mythical harpies nest. In the narrative, Dante plucks a twig from a gnarled branch, only to witness blood gush from the wound and the trunk angrily yelp at him.

Ilya Bolotowsky Abstraction

Work of the Week: Ilya Bolotowsky, “Abstraction”

Engaging with art in challenging situations can provide respite and solace and remind us to find joy and beauty in basic things we often take for granted. As the new year unfolds and presents us with unexpected questions to consider and new goals to pursue, once again, I turn to art. It seems that for Bolotowsky, abstract art provided the order and balance needed in a historical moment that saw enormous socio-political changes as well as defining shifts in the art world.