3 black and white images of a woman and girl at a kitchen table in different sitting and standing positions

American Photographer Carrie Mae Weems

Gain insights into the works of American Photographer Carrie Mae Weems that are featured in the permanent collection at The Rollins Museum of Art.

Carrie Mae Weems (American, b. 1963) Untitled (Woman with Daughter), From the Kitchen Table Series, 1990 Silver prints, triptych 28 1/4 x 28 1/4 inches each. The Alfond Collection of Contemporary Art, Rollins Museum of Art. Gift of Barbara ’68 and Theodore ’68 Alfond, 2014.1.26. © Carrie Mae Weems. Image courtesy of the artist and Jack Shaiman Gallery, New York.

Green square painting with white horizontal diamond by Carmen Herrera

Carmen Herrera’s quest for formal simplicity

Carmen Herrera has been described as a “quiet warrior of her art” in her uncompromising commitment to abstraction over decades of scant recognition.(1) Born in Havana in 1915, she later moved to New York and then, in 1948, to Paris,

Work of the Week: Elihu Vedder’s “Superest Invictus Amor”

Elihu Vedder (American, 1836-1923), Superest Invictus Amor (Love Ever Present), 1887, Oil on canvas, 34 ¾ x 12 ¼ inches  As I write this in mid-June, it has been just about thirteen months since my last entry in this blog.

Work of the Week: William Williams’ “The (William) Denning Family” | In the Spirit of Conversation, a Confession by Dr. Grant Hamming

William Williams (American, 1727-1791) The (William) Denning Family, 1772, Oil on canvas, 35 ½ x 52 inches  Benjamin West (American, 1738-1820), Mrs. Thomas Keyes and Her Daughter, c. 1806, Oil on panel, 33 x 23 ¼ inches  A term one sometimes

Work of the Week: Unknown Artist after Sebastiano Serlio,“Study for a Stage Design: Street Lined with Palatial Buildings”

We do not know who drew this delicate ink and chalk drawing. We do know, however, that it is a copy of a woodcut from a book rather famous at the time, the Second Book on Perspective by Italian architect and theorist Sebastiano Serlio (published in 1545). Today, Serlio is remembered as the author of the first architectural treatise in a modern language to be printed with illustrations, also the first to devote an entire section to the theatre. That is where we find the source image for this drawing, titled The Tragic Scene. The drawing may have been a lesson in perspective (apprentices repeatedly copied works by other artists in order to master various skills, types of compositions, or media), or a point of departure for a different composition.

Work of the Week: James McDougal Hart, “Summer Landscape”

James McDougal Hart (American, 1828-1901), Summer Landscape, 1857, Oil on canvas, 12 1/4 x 8 1/4 in. Purchased with funds from the Michel Roux Acquisitions Fund 2007.7 (This was originally published in Spring of 2021) Like Dr. Grant Hamming describes

Work of the Week: Emilio Sanchez, “Untitled, Blue House with White Shutter, St. Barts”

Sanchez was born in Cuba, to a wealthy family that was involved in the sugar trade. Like other members of Cuba’s pre-Revolutionary upper class, he was mostly educated in the United
States. After a few years in Florida, he made his was to the Northeast, where he overlapped at Choate with future President John F. Kennedy. After college (Yale followed by the University of Virginia), he studied at the Art Students League, splitting his time between his father’s estate in Cuba, his mother’s residence in Mexico, and New York. He also traveled throughout the Caribbean, gathering subject material for his prints and paintings depicting the bright sunshine and vernacular architecture of the region.

Work of the Week: Caitlin Keogh, “Renaissance Painting”

Caitlin Keogh (American, b. 1982), Renaissance Painting, 2016, Acrylic on canvas, 84 x 63 in., The Alfond Collection of Contemporary Art at Rollins College, Gift of Barbara ’68 and Theodore ’68 Alfond, 2016.3.15., Image courtesy of the artist and Bortolami, New York. If

Work of the Week: Tobi Kahn, “Patuach Sagur Patuach”

Tobi Kahn (American, b. 1952), Patuach Sagur Patuach, 2012, acrylic on wood, 9 3/4 x 12 3/8 x 8 3/4 in., A Gift from the Acorn Foundation, funded by Barbara and Theodore Alfond, in honor of Bruce A. Beal Director Ena Heller. 2015.8.1 © Tobi