Shirin Neshat (American, Iranian, b. 1957), In Deference, 2018, Dye-sublimination on aluminum, 25 9/16 x 40 in. The Alfond Collection of Contemporary Art at Rollins […]
Work of the Week: Dawoud Bey, “Janice Kemp and Triniti Williams”
Dawoud Bey (American, b. 1953), Janice Kemp and Triniti Williams, 2012, Archival pigment prints mounted on dibond, 40 x 64 in (40 x 32 […]
Work of the Week: Jacob Lawrence, “Revolt on the Amistad”
Jacob Lawrence (American, 1917-2000), Revolt on the Amistad, 1989, Silkscreen, 35 x 25 3/8 in. Museum Purchased from the Wally Findlay Acquisition Fund, 1995.26., © […]
Work of the Week: Emory Douglas, “Warning to America-We are 25-30 million strong”
Born in Grand Rapids, Michigan, Emory Douglas moved with his mother to San Francisco when he was eight. At age […]
Work of the Week: Romare Bearden, “Byzantine Frieze (from the series Ritual Bayou)”
Romare Howard Bearden American (Charlotte, North Carolina, United States, 1911 – 1988), Byzantine Frieze (from the series Ritual Bayou), 1971, lithograph collage, 17 7/8 […]
Work of the Week: Cig Harvey, “Scout and the Clementines, Rockport Maine”
Cig Harvey describes that the series examines her relationship with life itself, and it began after a critical moment in her life. Harvey was in a car accident, and though physically unharmed, she did not speak for six weeks after the event. She was overwhelmed with thoughts of what could have happened if her daughter had been in the car with her. The idea that anyone’s life can change drastically in an instant altered Harvey’s perspective significantly, especially with her role as a mother.
The Notion of Place
Last season, it had been two years since we introduced the theme of Place as Metaphor for our main collection […]
Ridley Howard: Paintings & Moments
Earlier this week I happened to get off the elevator on the second floor of The Alfond Inn. I had […]
Jordan Casteel: Voice & Process
Jordan Casteel and I have Italy and New York in common as career influencers. It was during a semester spent […]
Exuberance in Nicole Eisenman’s Painting
Last summer, when our museum was closed due to the pandemic and the future was very uncertain, we started looking for new […]
So Long, But Not Goodbye
The very first post in this series went live on April 1, 2020, amidst the first waves of shutdowns (including […]
The Quiet Dignity of Everyday Life
A year ago, I wrote about John Sloan’s The Women’s Page as part of a discussion of the prevalence of […]
Joseph Cornell, James Rosenquist, and Generational Transmission
Back in September, I wrote about the affinities between Joseph Cornell and Earl Cunningham, two untrained eccentrics who made collecting […]
George Grosz and America
When I saw the listing on the CFAM website for the artist George Grosz, I wondered if someone had made […]
The Underappreciated Tom Wesselmann
A few weeks ago, I wrote about Wayne Thiebaud, whose career has been much more varied than I had previously […]
