Dr. Anne C. Grey helps students Ayelin and Aliviah, Grade K with their art technique. Photo: John P. Burke
Rollins Museum of Art Acquires a Significant Early 20th century painting by Artist Roger Fry
The Rollins Museum of Art owns a collection of superb examples of works by members of the Bloomsbury Group, a […]
The Secret, Alachua, FL by Photographer Michael Bühler-Rose
How The Secret, Alachua, FL by photographer Michael Bühler-Rose helps expand our sense of what cultural exchange might mean.
Beyond Our Walls: 8 Ways to Engage With Rollins Museum of Art Even When the Museum is Closed
In person and online offerings beyond the walls of The Rollins Museum of Art
Works by American Photographer Carrie Mae Weems in the Rollins Museum of Art Collection
Gain insights into the works of American Photographer Carrie Mae Weems that are featured in the permanent collection at The Rollins Museum of Art.
Carmen Herrera’s quest for formal simplicity
Carmen Herrera has been described as a “quiet warrior of her art” in her uncompromising commitment to abstraction over decades […]
Work of the Week: Elihu Vedder’s “Superest Invictus Amor”
Elihu Vedder (American, 1836-1923), Superest Invictus Amor (Love Ever Present), 1887, Oil on canvas, 34 ¾ x 12 ¼ inches […]
Work of the Week: William Williams’ “The (William) Denning Family” | In the Spirit of Conversation, a Confession by Dr. Grant Hamming
William Williams (American, 1727-1791) The (William) Denning Family, 1772, Oil on canvas, 35 ½ x 52 inches Benjamin West (American, 1738-1820), […]
Work of the Week: Unknown Artist after Sebastiano Serlio,“Study for a Stage Design: Street Lined with Palatial Buildings”
We do not know who drew this delicate ink and chalk drawing. We do know, however, that it is a copy of a woodcut from a book rather famous at the time, the Second Book on Perspective by Italian architect and theorist Sebastiano Serlio (published in 1545). Today, Serlio is remembered as the author of the first architectural treatise in a modern language to be printed with illustrations, also the first to devote an entire section to the theatre. That is where we find the source image for this drawing, titled The Tragic Scene. The drawing may have been a lesson in perspective (apprentices repeatedly copied works by other artists in order to master various skills, types of compositions, or media), or a point of departure for a different composition.
Work of the Week: James McDougal Hart, “Summer Landscape”
James McDougal Hart (American, 1828-1901), Summer Landscape, 1857, Oil on canvas, 12 1/4 x 8 1/4 in. Purchased with funds […]
Work of the Week: Emilio Sanchez, “Untitled, Blue House with White Shutter, St. Barts”
Sanchez was born in Cuba, to a wealthy family that was involved in the sugar trade. Like other members of Cuba’s pre-Revolutionary upper class, he was mostly educated in the United
States. After a few years in Florida, he made his was to the Northeast, where he overlapped at Choate with future President John F. Kennedy. After college (Yale followed by the University of Virginia), he studied at the Art Students League, splitting his time between his father’s estate in Cuba, his mother’s residence in Mexico, and New York. He also traveled throughout the Caribbean, gathering subject material for his prints and paintings depicting the bright sunshine and vernacular architecture of the region.
Work of the Week: Caitlin Keogh, “Renaissance Painting”
Caitlin Keogh (American, b. 1982), Renaissance Painting, 2016, Acrylic on canvas, 84 x 63 in., The Alfond Collection of Contemporary Art at Rollins […]
Work of the Week: Tobi Kahn, “Patuach Sagur Patuach”
Tobi Kahn (American, b. 1952), Patuach Sagur Patuach, 2012, acrylic on wood, 9 3/4 x 12 3/8 x 8 3/4 in., A Gift from the […]
Work of the Week: Amy Sillman, “After Metamorphoses”
Amy Sillman (American, b. 1955), After Metamorphoses, 2015-16, Single-channel video on 5:25 min. looped, color, sound. The Alfond Collection of Contemporary Art at Rollins […]
Work of the Week: Daniel Lind-Ramos, “Vencedor: 1797 (Victorius: 1797)”
Daniel Lind-Ramos (Puerto Rican, b. 1953), Vencedor: 1797 (Victorius: 1797), 2018-2019, Mixed media, 67 x 70 x 33 in. The Alfond Collection […]