Work of the Week: Rafael Trelles, “La autopista del sur (The Southern Highway)”

At its simplest definition, Magical Realism is a genre of art (including visual art and literature) characterized by the inclusion of fantastical elements or events in an otherwise realistic setting. The term was most famously first applied by Cuban writer Alejo Carpentier to describe what he saw as a growing trend in Latin American literature of the time, and is most famously associated with Latin American art. Although Magic Realism is often labeled as Surrealism, the key difference is that Surrealism is based in images of the subconscious, of dreams, and Magic Realism deals in, well, reality.

Work of the Week: Caitlin Keogh, “Renaissance Painting”

Caitlin Keogh (American, b. 1982), Renaissance Painting, 2016, Acrylic on canvas, 84 x 63 in., The Alfond Collection of Contemporary Art at Rollins College, Gift of Barbara ’68 and Theodore ’68 Alfond, 2016.3.15., Image courtesy of the artist and Bortolami, New York. If

Work of the Week: Antonio Martorell, “¿Quéslaque? Es que la…”

Antonio (“Toño”) Martorell (born 1939) is a Puerto Rican multi-media artist, educator, and writer, and a pillar of Caribbean contemporary art history. An intellectual, an artist of artists, and an artist of and for the people, Martorell‘s prolific body of work spans over six decades, consistently making references to the histories, diversity and resilience of Puerto Rican culture in face of adversity.

Work of the Week: Tobi Kahn, “Patuach Sagur Patuach”

Tobi Kahn (American, b. 1952), Patuach Sagur Patuach, 2012, acrylic on wood, 9 3/4 x 12 3/8 x 8 3/4 in., A Gift from the Acorn Foundation, funded by Barbara and Theodore Alfond, in honor of Bruce A. Beal Director Ena Heller. 2015.8.1 © Tobi

Work of the Week: Catherine Yass, “Lighthouse (North north west, distant)”

Catherine Yass (British, b. 1963), Lighthouse (North north west, distant), 2011, Photographic transparency, lightbox, 50 ¾ x 40 ¾ in., The Alfond Collection of Contemporary Art at Rollins College, Gift of Barbara ’68 and Theodore ’68 Alfond. 2020.1.11 © Catherine Yass. Image courtesy Galerie Lelong

Work of the Week: Hiram Powers, “Faith”

Hiram Powers (American, 1805-1873), Faith, ca. 1867, white seravezza marble, 29 in. x 20 in. x 12 in. sculpture, Gift of Hiram Powers II, grandson of the artist and Rollins College professor 1976.31 Hiram Powers was celebrated during his time as the foremost American sculptor,

Work of the Week: Amy Sillman, “After Metamorphoses”

Amy Sillman (American, b. 1955), After Metamorphoses, 2015-16, Single-channel video on 5:25 min. looped, color, sound. The Alfond Collection of Contemporary Art at Rollins College, Gift of Barbara ’68 and Theodore ’68 Alfond, 2017.6.62. Image courtesy of the artist. My first introduction to Greco-Roman

Work of the Week: Daniel Lind-Ramos, “Vencedor: 1797 (Victorius: 1797)”

Daniel Lind-Ramos (Puerto Rican, b. 1953), Vencedor: 1797 (Victorius: 1797), 2018-2019, Mixed media, 67 x 70 x 33 in. The Alfond Collection of Contemporary Art at Rollins College, Gift of Barbara ’68 and Theodore ’68 Alfond. 2020.1.1 ©Daniel Lind-Ramos The sculpture Vencedor: 1797 was

Work of the Week: Willem de Kooning, “Two Women”

Willem de Kooning (American, 1904-1997), Two Women, 1973, Lithograph on paper, 18 x 15 in. Museum Purchase from the Wally Findlay Acquisition Fund, 1997.13 A monolith in American Abstract Expressionism, Dutch-born artist Willem de Kooning had a diverse artistic career lasting for over five decades.

Lavinia Fontana: The Dead Christ with Symbols of the Passion

Outside of my bias of having been trained as an Italienist, The Dead Christ with Symbols of the Passion, is one of the most important Old Masters in our collection (as a mature work by one of the few female

Work of the Week: Becky Suss, “Houseboat on Dull Lake in the Valley of K”

Becky Suss (American, b. 1980), Houseboat on Dull Lake in the Valley of K, 2019, Oil on canvas, 84 x 144 in. The Alfond Collection of Contemporary Art at Rollins College, Gift of Barbara ’68 and Theodore ’68 Alfond, 2019.2.22. Image courtesy of the artist

Work of the Week: Käthe Kollwitz, “Untitled (Mob [Family] with Dead Child)”

Käthe Kollwitz (German, 1867–1945), Untitled (“Mob [Family] with Dead Child”), n.d., Dry point etching, Gift of Mrs. Ruth Funk, Cornell Fine Arts Museum 2001.04.09.PR Where history provides perspective and comparison, art provides context and comfort. Historical art often provides both. That is why I

Work of the Week: Carmen Herrera, “Untitled”

Carmen Herrera (Cuban, 1915-2022), Untitled, 2013, Acrylic on canvas, 72 3/64 x 36 7/32 in. The Alfond Collection of Contemporary Art at Rollins College, Gift of Barbara ’68 and Theodore ’68 Alfond, 2014.1.32. © Carmen Herrera. Image courtesy of the artist and Lisson Gallery, London,

Work of the Week: Shirin Neshat, “In Deference”

Shirin Neshat (American, Iranian, b. 1957), In Deference, 2018, Dye-sublimination on aluminum, 25 9/16 x 40 in. The Alfond Collection of Contemporary Art at Rollins College, Gift of Barbara ’68 and Theodore ’68 Alfond, 2018.1.23. Image courtesy of the artist. I first encountered Shirin Neshat’s

Work of the Week: Dawoud Bey, “Janice Kemp and Triniti Williams”

Dawoud Bey (American, b. 1953), Janice Kemp and Triniti Williams, 2012, Archival pigment prints mounted on dibond, 40 x 64 in (40 x 32 in individually), Museum purchase from the Kenneth Curry Acquisition Fund, 2015.9., Image courtesy of the artist and Rena Bransten Gallery A