Born in Grand Rapids, Michigan, Emory Douglas moved with his mother to San Francisco when he was eight. At age […]
Work of the Week: Romare Bearden, “Byzantine Frieze (from the series Ritual Bayou)”
Romare Howard Bearden American (Charlotte, North Carolina, United States, 1911 – 1988), Byzantine Frieze (from the series Ritual Bayou), 1971, lithograph collage, 17 7/8 […]
Work of the Week: Reginald Marsh, “A Young Woman Reading on the Subway”
I recently read Jennifer Egan’s historical novel Manhattan Beach, a noir thriller that transported me to New York during World War II. The main character, Anna Kerrigan, comes of age at a time when the country grappled with war abroad and its effects at home. Resilient and determined, Anna works at the Brooklyn Naval Yard as a diver repairing ships. The rich descriptions of the naval yard, the city streets, and the dark, smoky nightclubs, paint a vivid picture of the context in which she lived and worked. Newspapers reported on the war in Europe, and she learned of individuals’ experiences through letters and friends’ accounts. While reading, I thought about how young women experienced the city at this historical moment.
Work of the Work: Tom Peterson, “The Divine Comedy”
This painting references the titular narrative poem by Dante Alighieri (1265-1321), a work of Italian literature originally published in 1320. Dante’s Divine Comedy chronicles the author’s supposed visit to the realms of the afterlife, narrated in first person. Towards the right of the composition, Dante the Pilgrim—the figure holding a book—traverses through Hell, indicated by the fiery orange background. Specifically, Peterson referenced the thirteenth canto of the Inferno, where Dante and his spiritual guide Virgil journey through the forest of the suicides in the seventh circle of Hell. In the Inferno, violence against oneself is punished by the transformation of the body into a tree where the mythical harpies nest. In the narrative, Dante plucks a twig from a gnarled branch, only to witness blood gush from the wound and the trunk angrily yelp at him.
Work of the Week: Cig Harvey, “Scout and the Clementines, Rockport Maine”
Cig Harvey describes that the series examines her relationship with life itself, and it began after a critical moment in her life. Harvey was in a car accident, and though physically unharmed, she did not speak for six weeks after the event. She was overwhelmed with thoughts of what could have happened if her daughter had been in the car with her. The idea that anyone’s life can change drastically in an instant altered Harvey’s perspective significantly, especially with her role as a mother.
Work of the Week: Ilya Bolotowsky, “Abstraction”
Engaging with art in challenging situations can provide respite and solace and remind us to find joy and beauty in basic things we often take for granted. As the new year unfolds and presents us with unexpected questions to consider and new goals to pursue, once again, I turn to art. It seems that for Bolotowsky, abstract art provided the order and balance needed in a historical moment that saw enormous socio-political changes as well as defining shifts in the art world.
Research Highlights, Part 7: New Direction in Andrew Moore’s work
Last week I wrote about research I have been doing on two recent acquisitions in CFAM’s Alfond Collection. This week, […]
Research Highlights, Part 6: Diving into Contemporary Art
In art history, as in most academic disciplines, we divide ourselves into a dizzying array of subfields, from experts in […]
Research Highlights, Part 5: Etchings of Modern Life in the CFAM Collection
One of the particular strengths of the CFAM collection I have been delighted to discover is in the medium of […]
Research Highlights, Part 4: Tibor Pataky, Florida Artist
For me, one of the great pleasures of museum work is getting to know an individual collection. At institutions like […]
Change is Coming
“Change is coming, whether you like it or not.” – Greta Thunberg What change is coming? Climate change and the […]
Research Highlights, Part 3: National Visions, Personal Visions: American Landscape Painting
I would like to begin this week’s post on a bit of a personal note. I live in Southwest Virginia, […]
Research Highlights, Part 2: Artistic Friendship in the Adirondacks
Part 2: A Case of Artistic Friendship: A.F. Tait and J.M. Hart So often we consider artists and their work […]
Research Highlights, New Insights into the American Art Collection, Part 1: Connoisseurship, or When is a Stuart not a Stuart?
Forward written by: Ena Heller, Bruce A. Beal Director, CFAM We are happy to introduce new insights into the museum’s American […]
Art Encounters, Episode 2: “African Apparel: Threaded Transformations across the 20th Century”
In the second episode of our podcast, “Art Encounters,” Guest Curators Dr. Mackenzie Moon Ryan, associate professor of Art History […]
