The Rollins Museum of Art owns a collection of superb examples of works by members of the Bloomsbury Group, a group of associated English writers, intellectuals, philosophers, and artists in the early 20th century, most based in London. Among them…
How The Secret, Alachua, FL by photographer Michael Bühler-Rose helps expand our sense of what cultural exchange might mean.
Enjoy Spring Fling, a FREE day of family fun at Rollins Museum of Art! With indoor and outdoor arts activities, story time, tours, performances and more Spring Fling is the perfect way to spend your Saturday. All events are open…
Carmen Herrera has been described as a “quiet warrior of her art” in her uncompromising commitment to abstraction over decades of scant recognition.(1) Born in Havana in 1915, she later moved to New York and then, in 1948, to Paris,…
Earlier this week I happened to get off the elevator on the second floor of The Alfond Inn. I had not been on that floor recently, so it had been a while since I had seen Ridley Howard’s Motel Pool. …
Jordan Casteel and I have Italy and New York in common as career influencers. It was during a semester spent in Cortona as an undergraduate that Casteel decided to switch her major from sociology and anthropology to art. Later, while…
Last summer, when our museum was closed due to the pandemic and the future was very uncertain, we started looking for new ways to keep more closely in touch with our diverse publics: students, life-long learners, members, donors. We introduced virtual programs…
Back in September, I wrote about the affinities between Joseph Cornell and Earl Cunningham, two untrained eccentrics who made collecting the core of their artistic practices. In that post I also wrote about the serendipity of research, whereby the proximity…
When I saw the listing on the CFAM website for the artist George Grosz, I wondered if someone had made a typo. Grosz, I knew, was a German-born artist best remembered for his scathing depictions of the corruption of interwar…
A few weeks ago, I wrote about Wayne Thiebaud, whose career has been much more varied than I had previously understood. This week, I’ve had the opportunity to consider another such artist, the similarly underappreciated Tom Wesselmann. If Thiebaud is…
Usually in this space I am eager to share my most exciting finds, such as my renewed appreciation for Wayne Thiebaud. This week, however, I am in a somewhat more low-key, contemplative mode as a result of my research on…
There is just something about landscape art that helps transport me to past times and places. I was reminded of this quality once again this week, with my consideration of Three Cows, a drypoint etching by the American painter Wayne…
Previously in this space, I have written about the necessity of seeing works of art in person, as well as about the materiality of oil paint. This week my research led me to the art of David Stern, who uses…
In one of those quirks of the alphabet I wrote about when considering Joseph Cornell and Earl Cunningham, my list of twentieth century American artists includes Jim Dine and Mark di Suvero back-to-back. Both longtime, well-known contemporary artists, the two…
Back in October, I wrote about the moment around the turn of the twentieth century when photography became art. In that post, I examined the work of F. Holland Day and Gertrude Käsebier, two of the most influential figures in…
