Tobi Kahn (American, b. 1952), Patuach Sagur Patuach, 2012, acrylic on wood, 9 3/4 x 12 3/8 x 8 3/4 in., A Gift from the […]
Work of the Week: Catherine Yass, “Lighthouse (North north west, distant)”
Catherine Yass (British, b. 1963), Lighthouse (North north west, distant), 2011, Photographic transparency, lightbox, 50 ¾ x 40 ¾ in., The Alfond Collection of Contemporary […]
Work of the Week: Carmen Herrera, “Untitled”
Carmen Herrera (Cuban, 1915-2022), Untitled, 2013, Acrylic on canvas, 72 3/64 x 36 7/32 in. The Alfond Collection of Contemporary Art, Rollins Museum of Art, […]
Work of the Week: Shirin Neshat, “In Deference”
Shirin Neshat (American, Iranian, b. 1957), In Deference, 2018, Dye-sublimination on aluminum, 25 9/16 x 40 in. The Alfond Collection of Contemporary Art at Rollins […]
Work of the Week: Emory Douglas, “Warning to America-We are 25-30 million strong”
Born in Grand Rapids, Michigan, Emory Douglas moved with his mother to San Francisco when he was eight. At age […]
Work of the Week: Romare Bearden, “Byzantine Frieze (from the series Ritual Bayou)”
Romare Howard Bearden American (Charlotte, North Carolina, United States, 1911 – 1988), Byzantine Frieze (from the series Ritual Bayou), 1971, lithograph collage, 17 7/8 […]
Work of the Week: Reginald Marsh, “A Young Woman Reading on the Subway”
I recently read Jennifer Egan’s historical novel Manhattan Beach, a noir thriller that transported me to New York during World War II. The main character, Anna Kerrigan, comes of age at a time when the country grappled with war abroad and its effects at home. Resilient and determined, Anna works at the Brooklyn Naval Yard as a diver repairing ships. The rich descriptions of the naval yard, the city streets, and the dark, smoky nightclubs, paint a vivid picture of the context in which she lived and worked. Newspapers reported on the war in Europe, and she learned of individuals’ experiences through letters and friends’ accounts. While reading, I thought about how young women experienced the city at this historical moment.
Work of the Week: Cig Harvey, “Scout and the Clementines, Rockport Maine”
Cig Harvey describes that the series examines her relationship with life itself, and it began after a critical moment in her life. Harvey was in a car accident, and though physically unharmed, she did not speak for six weeks after the event. She was overwhelmed with thoughts of what could have happened if her daughter had been in the car with her. The idea that anyone’s life can change drastically in an instant altered Harvey’s perspective significantly, especially with her role as a mother.
On the Direct Encounter with the Work of Art
I live in a smallish college town in the Blue Ridge Mountains, far from the bustling museum and gallery scenes […]
A Closer Look At Our Summer Exhibitions: From Pump Manufacturing To Old Masters Paintings
How do paintings from an art-filled, Ohio home become the core of the only European Old Masters museum collection in […]
The Community of Art
Communities are defined by people: families, friends, neighbors, and colleagues who share a way of life, a place to live, […]
